OCR F390 Jun12 - Passage Questions
a) Using passage 2 as a starting point, discuss who you think
was most responsible for the downfall and death of Dido?
b) Whose death do you consider to be the more tragic, Dido’s
or Hektor’s? You should use these passages as a starting point and include
discussion of both Book 4 of the Aeneid and Book 22 of the Iliad.
a. There are
many parties involved in who potentially was responsible for the downfall of Dido
and, to a degree, everyone involved is at fault, however it is debatable as to
who was most responsible for her death. All had some involvement with her death
however some are definitely more responsible than others.
The obvious
offender that the passage suggests is responsible is the Trojans for landing in
Carthage in the first place. “If only Trojan keels had never grounded on our
shores.” It is made clear from the passage that Dido herself primary blames
Aeneas for her downfall as she says “I would have been happy, more than happy…”
This is true to some extent that if the Trojan had never arrived in Carthage
that Dido would not have fallen in love with Aeneas and therefore would not
have killed herself. However you could argue this is not Aeneas or the Trojans
fault as Juno persuades Aeolus (King of winds) to send a storm upon the fleet
of ships and once the storm stops the Trojans sail towards the nearest land
which happens to be Libya. If Juno had not interfered with the Trojan ships in
the first place then Dido would not have been effected in any way.
Although
you may argue that Aeneas was not responsible for that aspect of Dido’s
downfall he is undoubtedly responsible in other ways. The secretive way in which Aeneas decides to
leave casts Aeneas in a very negative light for the reader. “You traitor, did
you imagine you could do this and keep it a secret?” There is a strong sense of
betrayal that Dido feels from Aeneas trying to run away without consulting her
first which contributes to her downfall. Being left in the first place would
have caused enough anguish for Dido however the fact that Aeneas,
unsuccessfully, tries to run away in secret makes Dido all the more pitiable.
Despite this, Aeneas simply leaving even if he had told her is likely to have
caused a similar response; he had to leave as it is what the fates had decided.
In this sense, although secretly leaving is obviously a very bad thing for
Aeneas to do, it holds little responsibility for Dido’s downfall as ultimately
Aeneas’ actions are dictated by fate.
The fates
have a very strong connection with the downfall and death of Dido. Ultimately
they dictate Aeneas’ actions and therefore if it was not fated that Aeneas
would have to leave to continue onto Italy, he could have stayed in Carthage
with Dido and therefore she would not have killed herself, although this is
unlikely as we are aware of how much Aeneas and his men long for their own
land. “They were delighted to receive their orders and carried them out
immediately.” Virgil makes the point later in the book that it was not Dido’s
fate to die therefore there has to be some other factor that has intervened with
what was meant to be. “For since she was dying not by the decree of Fate.” If certain things had been done differently
then Dido would not have died, for example if Venus had not ordered Cupid to
shoot Dido with an arrow and make her fall madly in love with Aeneas, there
would be no downfall. Much of the blame for Dido’s downfall has to be taken by
Venus as she wrongly assumes the Carthaginians will be hostile towards the
Trojans and decides to intervene; causing a terrible situation that could
easily have been avoided.
Venus is
not the only God who appears to have contributed to Dido’s death by intervening
with the situation of Dido and Aeneas. Juno already interfered with the Trojans
sailing by sending a storm, causing them to land in Libya. She later also
interferes by starting another storm causing Aeneas and Dido to take refuge in
a cave and decides they will be married. “I shall join them in lasting marriage
and make her his. This will be their wedding.” Arguably, the marriage is very
open to interpretation as Aeneas was unaware what they did count as a marriage
whereas Dido obviously believed it was marriage. The way Virgil describes the
scene does make it sound like a genuine marriage however if Aeneas is unaware
of this it cannot be fully his fault.
Another
person that the passage suggests could hold some responsibility is Anna for
persuading Dido to accept her love for Aeneas as well as helping her build the
pyre that Dido kills herself on. “To think it was my hands that built the pyre,
and my voice that called upon the gods of our fathers, so that you could be so
cruel as to lay yourself down here to die without me.” Although this has some
influence over Dido’s death, it is impossible for us to say that Anna is fully
responsible for her sister’s death as Dido would probably have come to the same
end whether or not Anna had any influence at all. Anna herself did not know any
of the things that she was doing would have any negative effect for her sister,
particularly in respect to her building the pyre, so arguably she is not
morally responsible.
Overall,
although everyone plays a part in the downfall of Dido, some are undoubtedly
more responsible than others. The fates control everything in all situations
however it is made clear by Virgil that it was not decreed in the fates that
Dido was to fall. In this case, there must have been some other factor that
influenced her death. The most responsible, in my opinion, is the gods for
their interfering in a situation that was going well until the gods got
involved. Examples of this are Juno starting up the storm sending them to
Libya, Venus making Dido madly in love with Aeneas and Juno creating a scene
where Aeneas and Dido supposedly get married. If any of these situations had
not happened then Dido would not have died or had her downfall.
This question scored
23/25. To improve, my teacher wrote I could sum up Juno’s involvement in
paragraph 5 and say what her intentions were.
b. Both Hektor
and Dido are characters that are renowned for having tragic deaths however some
would argue that Dido is the more tragic of the two. This is because of the
nature of her death; suicide is much more pitiable than dying with honour such
as Hektor does when he dies fighting his enemy. Dido certainly has a greater
fall from grace as she was the queen of Carthage however is reduced to being
literally mad with love and alienates herself from her people and her sister as
well as being abandoned by her lover causing her to kill herself. Hektor
however dies a hero in the eyes of his family and followers as he dies trying
to protect his city. Therefore, Dido is undoubtedly more tragic as she has lost
a lost more than Hektor has, particularly her reputation.
Although
the way Dido dies is more tragic, the treatment of her body is not nearly as
bad as the treatment Hektor receives from Achilles. “As Hektor was dragged
behind, a cloud of dust arose from him, his dark hair streamed out around him,
and all that one handsome head was sunk in the dust.” The way Achilles defiles
Hektor’s body creates a lot of pathos for Hektor as to be shown such disrespect
is something that is highly looked down upon. To be denied burial rights and
for the body to be defiled in such a horrific way adds to the fact that his
death is tragic. It also creates more sympathy for his family seeing as they
cannot bury their son and adds to his tragic loss. “How I wish he could have
died in my arms! Then we could have satisfied our desire for weeping and
mourning, I and his mother who bore him in cruel fate.” Dido on the other hand
tricks her sister into helping to build a funeral pyre for her. “It was all to
deceive your sister! This was the purpose of the pyre and the flames and the
altars!” It is unnecessarily cruel of Dido to trick her sister in such a way
and makes the audience feel less sympathetic towards her. Because of this Hektor
is the more tragic of the two.
Despite
this, it is clear from the reactions of both Dido’s and Hektor’s family that
their deaths were equally devastating. Virgil describes Anna as being “beside
herself” and that she rushes to her sister to hold her whilst she is dying.
This is very emotive and creates a lot of pathos for Anna especially as she
believes she is at fault for Dido’s death. Dido’ death also invokes pity from
the Gods such as Juno who sends down Iris to take a lock of Dido’s hair to
prepare her for death. The fact she has the pity of a God shows she is a worthy
character and therefore more tragic as she has fallen so far. On the other
hand, Hektor also gains pity from the Gods, in particular Zeus. This shows just
how respectable and how much of a hero Hektor was to be able to get sympathy
from the most powerful God. Homer also uses much more emotive language than
Virgil by describing the reactions of their families. “And now his mother tore
her hair, and flung the shining mantle away from her head, and raised a great
wail when she saw her son.” The language that homer uses is much more emotive
for the audience and creates a more shocking reaction to the death of Hektor.
In comparison, both texts are similar in their description of people’s
reactions: the Aeneid states “the palace rang with lamentation and groaning and
the wailing of women and the heavens gave back the sound of mourning.”
Similarly the Iliad says “around them and all through the city the people were
overcome with wailing and groans of lamentation.” Both reactions to their
deaths are equally emotive making both characters equally tragic.
One reason
why we might consider Dido to be the more traffic hero because none of what
happens to her is through fault of her own actions. She is treated as a pawn for
the Gods to use and because of this she is subjected to love, something that
she has avoided and has made a vow of chastity against in respect of her dead
husband. We feel pity for Dido when she breaks the vow as we see that she does
try to fight the maddening love that is overtaking her as she questions whether
this is the right thing for her to do. Hektor however chooses to go to war even
when Andromache tries to persuade him not to go. On some level you could argue
that Hektor deserved to die because he killed Patrokolus as well as ignoring
the good advice of Polydamus which causes the Trojans to be in a bad position
in the war. Dido, through no fault of her own, is caught up in some dispute
between the Gods and comes out the lesser from it. In this sense, she is the
more tragic as she does not deserve what happens to her.
Overall,
Dido has the more tragic death out of the two characters as she suffers this
fate through no wrong doing of her own and is simply being used by the Gods for
their own petty feud. The reactions of their families for both characters are
very distressing and despite Homer arguably using ore emotive language, the
idea of her sister running over to the pyre to hold her during her death is in
itself tragic, particularly as Anna had helped her to build the pyre.
This question scored 24/25
Overall I scored 47/50 giving me a grade of A*
thank you so much
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